Art is,
Art is the process of consciously arranging the elements to address emotions or moods, or the result of that process. It covers a wide range of human activities, creative and publishing media, including literature and music. The meaning of art is explored in the branch of philosophy known as aesthetics.
Defining and judging art has been particularly problematic since the early 20th century. Richard Wolheim identifies three approaches related to this: the realist approach that considers aesthetic quality as an absolute value independent of human perspective; An objectivist approach that recognizes that aesthetic quality is absolute but depends on the general human experience; The relativistic position that aesthetics is not an absolute value, but rather that it depends on the human experiences of different people and is subject to change. [1] An object, no matter what its visual function, can be characterized on the basis of its purpose or lack thereof, its creator, and so on. Apparently it can be used as a liquid-carrying device, but if a cup is used merely as a decoration, it can also be considered a work of art. At the same time, if a painting is reproduced on a large scale, it may simply be called a work of art.
Traditionally, the term art has been used to describe any potential or ability. This concept changed during the Romantic era, when art began to be regarded as "a special organ of the human mind that could be classified along with religion and science" [2]. In general, art is created with the intention of stimulating thought and emotion.
Richard Wolheim describes the nature of art as "one of the most far-reaching of the traditional problems of human culture" [3]. It is defined as a vehicle for the expression or communication of mood and ideas, a means of exploring and evaluating model areas for their own purposes, and an imitation or representation. Leo Tolstoy identified art as a means of indirect communication between one person and another. [4] Benedetto Crosse and R. G. Collingwood presented the idealist view that art expresses the mood, and therefore that a work of art is essentially in the mind of its creator. [5] [6] Art theory, which takes art as its model, has its roots in the philosophy of Emanuel Kant. This was further developed by Roger Fry and Sylvie Bell in the early twentieth century. [7] The definition of art as imitation and representation is deeply rooted in Aristotle's philosophy.
Definitions of the term art,
The most common usage of the word 'art' came to prominence in AD. After 1750. The word 'art' was used to denote the skill used to produce an aesthetic result. The Encyclopedia Britannica defines 'art' as 'the use of ability and imagination to create aesthetic objects, environments or experiences that can be shared with others'. Whatever the definition of the word 'art', aesthetic creations from prehistoric to contemporary art seem to have a history as long as humankind. Much has been written about the concept of 'art'. In the 1970s, Adorno said, "The point is, nothing in the arts can be accepted anymore." The earliest and broadest meaning of art is the ancient Latin word which can roughly be translated as 'ability' or 'skill'. It also has a similar meaning to the Indo-European root word meaning 'preparation' or 'preparation'. In this sense, anything that is subject to a deliberate process of preparation by an author can be called art. To prove that these understandings are very broad, for example, the English word art is derived from the word 'ra', which derives from artifact, artifice, artillery, and medial arts. ) And military arts (martial arts). However, there are a number of other applications that can be used in other languages. Some of them are related to etymology.
The second and more recent meaning of the word 'art' is an abbreviation for both creative art and fine art. Fine art is the use of the ability to express the artist's creativity or to engage the aesthetic senses of the taster or to motivate the connoisseur to pay attention to the aesthetic. Often people use such creations not as art but as a craft if the abilities are used in a simple or practical way. Also, if the ability is used in a commercial or industrial form, it is called a commercial art, not an art. On the other hand, craftsmanship and design are sometimes regarded as applied art. Some art advocates argue that the distinction between fine art and applied art should be based on the value of art and not on a clear interpretive difference. However, even fine art has goals that go beyond pure creativity and self-expression. The purpose of art is to communicate political, spiritual, or philosophical ideas, to create a sense of beauty, to create pleasures, or to generate influence. And sometimes its purpose may not be obvious at first glance.
The etymology of the term fine art in fine art begins with Aristotle's philosophy, which suggested four reasons for explaining something. Accordingly, the ultimate cause of anything is the purpose of its existence. The term fine art is derived from this concept. If the ultimate purpose of a work of art is the work of art itself, and for no other purpose than that of ‘art for the sake of art’, then that work of art can more accurately be called fine art. The concept of beauty, which is closely related to this, is scientifically interpreted as 'satisfying whenever it is seen'. The ultimate innocence of beauty is the creation of contentment and thus has no other purpose and its purpose is the same.
Art can describe many things, such as the study of creative ability, the process of applying creative ability, or the experience of the connoisseur of creative ability. Creative art (art as a system of knowledge) that produces works of art (art as a subject) that are guided by a personal pursuit (art as a function) and art that reflects the mood or symbolism of a message (art as an experience) for the viewer to interpret (art) ) A collection of knowledge systems. Artwork can be defined as the purposeful creative interpretation of an infinite number of concepts or ideas in order to communicate an idea to another. It is also an expression of an idea that can take many forms and serve different purposes. The ability to apply scientific theories to create a new scientific theory, as well as the need to ‘create’ something new, represents only science and is not considered art.
Classification of controversies in the history of art.
It is a common occurrence in the history of art that there is controversy among the people as to whether any work or method can be considered art. In fact, for most of the last century there has been controversy over what art is. Philosophers of art call these controversies 'controversies of classifying art'. Ancient Greek philosophers, for example, debated the question of whether ethics should be regarded as the art of 'living a good life'. Among the taxonomic controversies of the 20th century were the Cubist and opticalist paintings, Duchamp's fountains, films, excellent imitations of banknotes, not only propaganda but also the immersion of the icon. Conceptual art often consciously expands the boundaries of what is considered art. Artists are increasingly choosing new media, such as video games, and / or accepting them as genres of art. As these new taxonomic displacements are not universally accepted, the subject of controversy remains.
Controversies over the nature of art have been going on for centuries. As a result of these controversies, certain species have been banned.
According to the philosopher David Nowis, disagreement over the interpretation of art is seldom at the center of the question. According to him, ‘the most important part of the taxonomic controversy of art’ is ‘the lustful thoughts and preferences inherent in the social life of man’ (Novis 1996). According to Novis, classification controversies are often controversies about our values that arise when we try to move with society instead of following the correct theory. This is what the Daily Mail, which accuses Hearst and Emin of writing, mඋeans when it says, "Art has been a great force of civilization for 1000 years and today these thugs are trying to turn us all into savages." Instead of advancing the interpretation or theory of art, they question the value of the works of Hearst and Emin.
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